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Are we gazing at the same moon?
Are We Gazing at the Same Moon? Are we living in the same world or parallel worlds?
The moon has long been a symbol of collective human experience, used in art, literature, and phi-losophy to explore questions of time, space, and memory. Its familiar presence in the night sky connects people across distances, eras, and cultures, serving as a shared point of reference for our thoughts, emotions, and reflections.
Yet, how much of our experience of the moon is truly shared? What if, despite our collective memory of the moon, the experiences we have when we gaze up at it are more fragmented, more subjective than we realize?
This artwork creates a ritual of moon-gazing, presenting to the audience a gigantic image of the moon composed of multiple stitched-together fragments. As the camera gradually zooms out from these regions, the scenes outside each fragment are slowly revealed: they do not belong to a continuous whole, but different imaginary moons. Ascending into a journey across a cluster of moons, the world fractures into divergent trajectories, scattering and reuniting in an endless cycle of dispersion and convergence. “One thousand people, one thousand moons” – where the lines between individual emotions and collective memory dissolve into a shared, ever-shifting reflection.
2024
2024 Shenzhen MOCAUP Light Show
2024 3rd Annual Metaverse Art @Venice, Italy
2024, Highlight Art Gallery – Turning point: The Intersection of Art and Technology in Singapore (Art Gallery Association, YDG), Singapore
2024, M360 “Innovation+” Festival 创+科技艺术流动展, Shanghai, China

In astronomical photography, the “Lunar Mosaic” is often used to synthesize high-definition images of the moon by collaging captured parts, where images are shot at different space and time. This work is an artistic experiment based on the moon image by NASA’s Galileo spacecraft in 1992, arguing the inconssistency behind the moon image and our collective memory as a humanistic entity.
However, the artwork employs generative AI technology to allow artificial in-telligence to imagine the parts of the celestial body beyond the fragments, revealing the dislocation and discontinuity behind the vast whole. By showcasing the parallel existences and possibilities of the moon, it forms a surreal and fantastical picture.


As the world we co-exist shatters into fragments, each derivative following its own trajectories, the image of the moon connects to a various worlds. Yet at certain moments, these scattered possibilities begin to converge and reassemble, merging once again into a coherent whole.
Are We......?
Are We Gazing at the Same Moon? is more than an artistic exploration of lunar imagery—it is a profound meditation on the nature of shared reality, collective memory, and human connection in an age of digital fragmentation.
Yet, beyond its technical ingenuity, the artwork speaks to one of the most pressing societal challenges of our time: the growing divide between personal and collective experience. It illustrates a world where even something as universal as the Moon can become fragmented, mirroring the ways in which contemporary digital technologies, social algorithms, and global political shifts have created parallel realities. In this sense, the project resonates deeply with the post-globalization crisis—where once-interconnected societies now face increasing isolation, ideological divides, and a loss of common cultural reference points.
In a time of rising nationalism, regional conflicts, and cultural disengagement, the project’s theme of dispersal and convergence becomes particularly poignant. It suggests that while fragmentation is a reality, the potential for reassembly remains. In response to the ethical crisis we face nowadays, the Moon, though scattered into many perspectives, can still be pieced together into a coherent whole— humanity must find ways to rebuild common ground despite the forces pulling it apart.
Ultimately, Are We Gazing at the Same Moon? serves as both a warning and a hope. It highlights the dangers of a world where collective memory erodes under the weight of hyper-personalized experiences, yet it also proposes that shared symbols, rituals, and cultural touchstones—whether the Moon, art, or technology itself—can still offer a way to reconnect. In this way, the project is not just a reflection on the nature of perception, but an invitation: to look beyond the fractures, to recognize the seams, and to find new ways of constructing a truly shared reality.